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Major Monographical Critical Editions

 

These books may be ordered by contacting the publishers.

The publications use academic conventions and are arranged chronologically under each heading. Click on a heading in the list immediately below to access relevant publications.

Anthology

  1. L'Amorosa Ero: Eighteen Italian Madrigals for Four Viols, Voices, or Recorders, Viol Consort Series No. 64, Albany, California: PRB Productions, 2006, pp. xii, 81 (and parts).


    Johann Christian Bach

  2. Johann Christian Bach: Domine ad adjuvandum (Soprano Solo, SATB Chrous (or Soloists), 2 Oboes, 2 Horns, 2 Violins, Viola, Violoncello and Double Bass); First Edition, Classical Music Series No. 3, Albany, California: PRB Productions, 1998, pp. vi, 33 (and parts).

  3. Johann Christian Bach: Laudate pueri (Soprano Solo, 2 Flutes, 2 Oboes, 2 Trumpets, 2 Horns, 3 Violins, Viola, Violoncello and Double Bass); First Edition, Classical Music Series No. 4, Albany, California: PRB Productions, 1998, pp. vi, 78 (and parts).

  4. Johann Christian Bach: Laudate pueri (Soprano and Tenor Soloists, 2 Oboes, 2 Flutes, 2 Horns, 2 Violins, Viola, Violoncello and Double Bass), Classical Music Series No. 5, Albany, California: PRB Productions, 1999, pp. viii, 126 (and parts).


    Giovanni Bassano

  5. Giovanni Bassano: The Three-Part Consort Music, London: Fretwork Editions No. 5, 1991, pp. v, 41 (and parts).

  6. Giovanni Bassano: Opera omnia, four volumes in Corpus mensurabilis musicae No. 101:
    Volume I: Holzgerlingen: American Institute of Musicology and Hänssler-Verlag, 1999;
    Volume II: Middleton, Wisconsin: American Institue of Musicology and A-R Editions, Inc., 2003;
    Volumes III–IV: in preparation.

    Volume I:  Giovanni Bassano, The Sacred Vocal Works I: Motetti per concerti ecclesiastici a 5. 6. 7. 8. & 12. voci (Venice, 1598), Holzgerlingen: American Institute of Musicology and Hänssler-Verlag, 1999, pp. lxiii, 185.

  7. Giovanni Bassano: Opera omnia, Corpus mensurabilis musicae No. 101, Volume II: The Sacred Vocal Works II: Concerti ecclesiastici a cinque, sei, sette, otto, & dodeci voci (Venice, 1599), Middleton, Wisconsin: American Institue of Musicology and A-R Editions, Inc., 2003, pp. lvii, 189.

  8. Giovanni Bassano: Opera omnia, Corpus mensurabilis musicae No. 101,Volume III: The Secular Works, in preparation.

  9. Giovanni Bassano: Opera omnia, Corpus mensurabilis musicae No. 101, Volume IV: The Instrumental Works, in preparation.


    John Coprario

  10. John Coprario: Fantasia-Suites, Musica Britannica, volume 46, London: Royal Musical Association and Stainer & Bell, 1980, pp. xxx, 188.

  11. John Coprario, The Five-Part Pieces, Corpus mensurabilis musicae No. 92, Neuhausen-Stuttgart: American Institute of Musicology and Hänssler-Verlag, 1981, pp. xxviii, 222.

  12. John Coprario: Twelve Fantasias for Two Bass Viols and Organ and Eleven Pieces for Three Lyra Viols, Recent Researches in the Music of the Baroque Era No. 41, Madison, Wisconsin: A-R Editions, Inc., 1982, (two volumes) pp. xvi, 110, 43.

  13. John Coprario: The Six Part Consorts and Madrigals, Kilkenny: Boethius Editions No. 3, 1982, pp. xiv, 92 (and parts).

  14.  John Coprario: The Two-, Three- and Four-Part Consort Music, London: Fretwork Editions No. 4, 1991; 2nd edition, revised, 1993, pp. xvi, 65 (and parts); new edition of parts, 2002.

  15. John Coprario: The Six-Part Pieces, Viol Consort Series No. 45, Albany, California: PRB Productions, 2002, pp. viii, 28 (and parts).

  16. John Coprario: The Fantasias for Two Bass Viols and Organ, Viol Consort Series No. 54, Albany, California: PRB Productions, 2005, pp. xviii, 41 (and parts).


    Giovanni Croce

  17. Giovanni Croce: First Book of Motets for Eight Voices and Organ, edited by Richard Charteris with the assistance of Michael Procter ( Hillsdale, New York: Pendragon Press, 2014), pp. lxxvi, 256.


    Alfonso Ferrabosco The Elder

  18. Alfonso Ferrabosco the Elder (1543-1588): Opera Omnia, nine volumes in Corpus mensurabilis musicae No. 96, Neuhausen-Stuttgart: American Institute of Musicology and Hänssler-Verlag, 1984-1988:

    Volume I:  Motets, Neuhausen-Stuttgart: American Institute of Musicology and Hänssler-Verlag, 1984, pp. xx, 202.

  19. Alfonso Ferrabosco the Elder (1543-1588): Opera Omnia, Corpus mensurabilis musicae No. 96, Volume II: Motets, Lamentations, An Anthem and Incomplete Motets, Neuhausen-Stuttgart: American Institute of Musicology and Hänssler-Verlag, 1984, pp. xxii, 211.

  20. Alfonso Ferrabosco the Elder (1543-1588): Opera Omnia, Corpus mensurabilis musicae No. 96, Volume III: Latin Songs, French Chansons and English Songs, Neuhausen-Stuttgart: American Institute of Musicology and Hänssler-Verlag, 1984, pp. xx, 71.

  21. Alfonso Ferrabosco the Elder (1543-1588): Opera Omnia, Corpus mensurabilis musicae No. 96, Volume IV: Il Primo Libro de Madrigali a Cinque (Venice, 1587), Neuhausen-Stuttgart: American Institute of Musicology and Hänssler-Verlag, 1986, pp. xxii, 174.

  22. Alfonso Ferrabosco the Elder (1543-1588): Opera Omnia, Corpus mensurabilis musicae No. 96, Volume V: Il Secondo Libro de Madrigali a Cinque (Venice, 1587), Neuhausen-Stuttgart: American Institute of Musicology and Hänssler-Verlag, 1986, pp. xx, 137.

  23. Alfonso Ferrabosco the Elder (1543-1588): Opera Omnia, Corpus mensurabilis musicae No. 96, Volume VI: Italian Madrigals in Manuscript and Printed Anthologies I, Neuhausen-Stuttgart: American Institute of Musicology and Hänssler-Verlag, 1987, pp. xxii, 183.

  24. Alfonso Ferrabosco the Elder (1543-1588): Opera Omnia, Corpus mensurabilis musicae No. 96, Volume VII: Italian Madrigals in Manuscript and Printed Anthologies II, Neuhausen-Stuttgart: American Institute of Musicology and Hänssler-Verlag, 1987, pp. xviii, 165.

  25. Alfonso Ferrabosco the Elder (1543-1588): Opera Omnia, Corpus mensurabilis musicae No. 96, Volume VIII: Italian Madrigals in Manuscript and Printed Anthologies III, Neuhausen-Stuttgart: American Institute of Musicology and Hänssler-Verlag, 1987, pp. xvi, 154.

  26. Alfonso Ferrabosco the Elder (1543-1588): Opera Omnia, Corpus mensurabilis musicae No. 96, Volume IX: Instrumental Music, Neuhausen-Stuttgart: American Institute of Musicology and Hänssler-Verlag, 1988, pp. xxi, 198.


    Domenico Maria Ferrabosco

  27. Domenico Maria Ferrabosco (1513-1574): Opera omnia, Corpus mensurabilis musicae No. 102, Neuhausen-Stuttgart: American Institute of Musicology and Hänssler-Verlag, 1992, pp. ci, 220.


    Giovanni Gabrieli

  28. Giovanni Gabrieli: Opera omnia, twelve volumes in Corpus mensurabilis musicae No. 12:
    Volumes IV-V, VII-XI: Neuhausen-Stuttgart/Holzgerlingen: American Institute of Musicology and Hänssler-Verlag, 1991-2000;
    Volume VII: Middleton, Wisconsin: American Institue of Musicology and A-R Editions, Inc., 2003;
    Volumes I-III, VI and XII: in preparation.

    Volume I:  Motets in ‘Concerti’ (Venice, 1587) and ‘Sacrae symphoniae’ (Venice, 1597) I, in preparation.

  29. Giovanni Gabrieli: Opera omnia, Corpus mensurabilis musicae No. 12, Volume II: Motets in 'Sacrae symphoniae' (Venice, 1597) II, in preparation.

  30. Giovanni Gabrieli: Opera omnia, Corpus mensurabilis musicae No. 12, Volume III: Motets in 'Symphoniae sacrae' (Venice, 1615) I, in preparation.

  31. Giovanni Gabrieli: Opera omnia, Corpus mensurabilis musicae No. 12, Volume IV: Motets in 'Symphoniae sacrae' (Venice, 1615) II, Holzgerlingen: American Institute of Musicology and Hänssler-Verlag, 2000, pp. xlv, 204.

  32. Giovanni Gabrieli: Opera omnia, Corpus mensurabilis musicae No. 12, Volume V: Motets in 'Symphoniae sacrae' (Venice, 1615) III, Neuhausen-Stuttgart: American Institute of Musicology and Hänssler-Verlag, 1996, pp. xlvi, 256.

  33. Giovanni Gabrieli: Opera omnia, Corpus mensurabilis musicae No. 12, Volume VI: Madrigals, in preparation.

  34. Giovanni Gabrieli: Opera omnia, Corpus mensurabilis musicae No. 12, Volume VII: Motets in Manuscript Sources and Printed Anthologies I, Neuhausen-Stuttgart: American Institute of Musicology and Hänssler-Verlag, 1991.
    Middleton, Wisconsin: American Institute of Musicology and A-R Editions, Inc., 2003, pp. li, 212.

  35. Giovanni Gabrieli: Opera omnia, Corpus mensurabilis musicae No. 12, Volume VIII: Motets in Manuscript Sources and Printed Anthologies II, Neuhausen-Stuttgart: American Institute of Musicology and Hänssler-Verlag, 1996, pp. xl, 204.

  36. Giovanni Gabrieli: Opera omnia, Corpus mensurabilis musicae No. 12, Volume IX: Incomplete Motets, Miscellaneous Works and Contrafacta in Manuscript Sources and Printed Anthologies, Neuhausen-Stuttgart: American Institute of Musicology and Hänssler-Verlag, 1996, pp. liii, 307.

  37. Giovanni Gabrieli: Opera omnia, Corpus mensurabilis musicae No. 12, Volume X: Instrumental Ensemble Works in 'Sacrae symphoniae' (Venice, 1597), Printed Anthologies and Manuscript Sources, Neuhausen-Stuttgart: American Institute of Musicology and Hänssler-Verlag, 1998, pp. lxix, 222.

  38. Giovanni Gabrieli: Opera omnia, Corpus mensurabilis musicae No. 12, Volume XI: Instrumental Ensemble Works in 'Canzoni et sonate' (Venice, 1615), Neuhausen-Stuttgart: American Institute of Musicology and Hänssler-Verlag, 1998, pp. xlix, 275.

  39. Giovanni Gabrieli: Opera omnia, Corpus mensurabilis musicae No. 12, Volume XII: Keyboard Works, in preparation.


    John Hingeston

  40. John Hingeston: Fantasia-Suites for Two Violins, Bass Viol and Organ, Viol Consort Series No. 22, Albany, California: PRB Productions, 1996, pp. vi, 42 (and parts).

  41. John Hingeston: Fantasia-Suites for Two Trebles, Bass Viol and Organ, Viol Consort Series No. 25, Albany, California: PRB Productions, 1996, pp. vi, 32 (and parts).

  42. John Hingeston: Fantasia-Suites for Violin, Bass Viol and Organ, Viol Consort Series No. 47, Albany, California: PRB Productions, 2003, pp. xx, 67 (and parts).


    Thomas Lupo

  43. Thomas Lupo: The Complete Vocal Music, Kilkenny: Boethius Editions No. 2, 1982, pp. x, 168.

  44. Thomas Lupo: The Four-Part Consort Music, Kilkenny: Boethius Editions No. 4, 1983, pp. x, 89 (and parts).

  45. Thomas Lupo: The Two and Three-Part Consort Music, Kilkenny: Boethius Editions No. 8, 1987, pp. xvi, 154 (and parts).

  46. Thomas Lupo: The Six-Part Consort Music, London: Fretwork Editions No. 9, 1993, pp. xiv, 45 (and parts).

  47. Thomas Lupo: The Five-Part Pieces, Volume I: Nos. 1-18, London: Fretwork Editions No. 13, 1997, pp. xx, 66 (and parts).

  48. Thomas Lupo: The Five-Part Pieces, Volume II: Nos. 19-34, London: Fretwork Editions No. 14, 1998, pp. xvi, 63 (and parts).

  49. Thomas Lupo: The Three-Part Consort Music, London: Fretwork Editions No. 18, 2001, pp. xxx, 55 (and parts).

  50. Thomas Lupo: The Four-Part Consort Music, London: Fretwork Editions No. 22, 2003, pp. xv, 29 (and parts).


    Claudio Monteverdi

  51. Claudio Monteverdi: The Third Book of Madrigals for Five Voices (Apt for Voices, Viols and Recorders), Viol Consort Series No. 34, Albany, California: PRB Productions, 2000, pp. xviii, 87 (and parts).


    Daniel Purcell

  52. Daniel Purcell: Ode for St. Cecilia's Day, Baroque Music Series No. 48, Albany, California: PRB Productions, 2007, pp. xix, 50 (and parts).

 

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